Greg Bishop, host of the long-running series Radio Misterioso, phoned UFO Update for a live report from Roswell, New Mexico July 5, 1997. Greg is the author of Project Beta detailing the military cover-up and disinformation behind the Paul Bennewitz affair. More recently, Greg published the book It Defies Language which even mentions Jerry in its Kindle edition. Surprise guest appearance by Travis Walton; with Jerry and co-host Chris Waterbury. Listen: https://archive.org/details/UFOUpdate-LiveFromRoswell
Harken back 25 years to 1992 and those lovely June days when The Musical Transportation Spree‘s hosts Jerry & Chris Waterbury corresponded with prominent home taping personalities for how-to recording techniques and advice. Responses arrived from around the globe: Lord Litter, Stegor, Thomas Pradel, Carl Howard, Tom Furgas, The Larry Mondello Band, Scott Walker (Alien Planetscapes), My Personal Demons, David Saint, Due Process, David Barnes, Marc Myers, John January, The Bill Jones Show, Charles Dayton, Greenhouse Effect, Fish Drum, Pascal Uni, Doug Michael & The Outer Darkness, Chorus of Souls, many others, featuring KFAI studio guest (and home taper) Peter Stenshoel. Listen to the results at archive.org https://archive.org/details/ATapewormsGuideToHomeTapingPart2
Posted in Airchecks
Tags: Alien Planetscapes, archive.org, Carl Howard, cassette, Chorus of Souls, Chris Waterbury, David Barnes, Doug Michael, Doug Walker, Due Process, electronic cottage, Fish Drum, Greenhouse Effect, home tapers, home taping, Jerry Modjeski, John January, KFAI, L'Edarps A Moth, Lord Litter, Marc Myers, My Personal Demons, Ooh Ooh Music, Pascal Uni, Peter Stenshoel, Stegor, Tapeworms Guide to Home Taping, The Bill Jones Show, The Larry Mondello Band, The Outer Darkness, Tom Furgas
Here’s the 100th post commemorating this website’s five years!
Last year’s addition of Jerry’s interview with Bebe Barron, electronic composer for the sci-fi film classic Forbidden Planet has, as of this date, over 4,000 downloads, Scorchedear’s most popular-ever offering. So rewarding for the memory of Charles Brin, who made the Bebe interview possible because they were old friends. Charles also made a movie cameo as a dour Yiddish school principal in the Coen Brothers A Serious Man.
Could anyone fail to notice news reports of creepy clown sightings this past year? Not as recent yet contemporary clown encounters of the bizarre kind were only part of The Clown Show, certainly another of the most popular specials in the Scorchedear archives.
Thanks to photographer Stuart (Little City in Space) Mathews, here’s the 2004 meeting during Winona’s Strange Phenomena conference when Illinois Mutual UFO Network investigator Susan Murawski met The Modjeskis at their home (Jerry A. Modjeski, Susan, (Mrs.) Barbara & Jerry M. Modjeski).
Here’s a tribute to the man behind some of Scorchedear’s talents, Jerry M. Modjeski, lifelong resident of Winona, Minnesota, who passed away recently. (Obit)
I shared several important passions with Dad, including love of classic country-western music. He tape recorded himself at home playing instrumental guitar-harmonica on simplified arrangements of old favorites and standards. (Listen)
Dad was also keenly interested in UFOs, bigfoot and all things paranormal.
For me, the Christmas gift of a yellow transistor radio encouraged my lifelong passion, along with noting my Dad’s late-night listening habits: clear-channel KDKA-Pittsburgh; Jim Bohannon; long-time fan of inquistive, acerbic Art Bell; back in the ’70s, WIND-Chicago’s Eddie Schwartz kept tabs on locals like ghost-hunter Richard Crowe, and from the Center for UFO Studies, Dr. J. Allen Hynek.
Rob Ordahl, co-founder of the Post-Void Radio Theater passed away unexpectedly; performed superhero duty on the Little City in Space with vocals (counting down the Universal Top 12; introductory greeting on NPR pilot show) and his original ads for Anger Gear Unanimous; Uncle Beano’s Pants on Fire. His radio stints included KFAI’s Late Nite Magic, Random Access, The Wilbur Drive Effect; commercial D.J. in Duluth, MN and Waco, TX; programmed experimental net station Weird Energy. He worked behind the scenes in TV, on camera for the special, A Television Relationship, with Stu Mathews.
He created original music on his own, listen to robO: Screen Test Study Music featuring highlights from a sonic sampler with several robOnus tracks posthumously discovered.
Stu Mathews, Post-Void Radio Theater
In 1974, I got a job at Research, Incorporated doing electronic assembly. Their biggest client was NASA. Research built the first prototype ovens for firing the thermal displacement tiles for the space shuttles. The assembly group I joined consisted of Rob Ordahl, christened “Buffalo Bob” by our supervisor Larry. Rob’s hair was long and wavy, like the images of historical character Buffalo Bill. Larry and I started calling him “The Buffalo.” Rob knew of me when he was a sophomore at Bloomington MN Lincoln High School and I was a senior…there was less than a year difference in our ages, although we graduated two years apart. I was amazed to find someone I’d never met, who already knew about me. He said he looked up to me in high school for one particular incident that he was witness to. Rob reminded me there was one time back at school when I was on my way from one class to another and was confronted by a group of crew-cut jocks. I chose to simply walk right past them, and one of them grabbed my back pack, and threw me to the floor, calling me “hair boy.” My response is what surprised Rob. I picked myself up, and called down the hallway after them, “You better get used to me, ’cause I’m not going anywhere.” I felt I’d found a kindred spirit in Rob, and I think he thought so, too.
Peter Stenshoel, Post-Void Radio Theater
Rob was introduced to me as The Buffalo. My whole span of time meeting first Stu and his band, the Infinity Art Unit (Lane Ellwanger and Mark Maistrovich at that time), then Damon (Mathews), and then Rob, had me so excited. I felt that I was meeting a string of bona fide geniuses, and Rob was no exception. I remember one time meeting him where he was living and he held a crystal in his hand. He said, “I like to look into this and make up stories.” I got the impression he was letting me know he had visions when skrying crystals, but with Rob you could never be sure.
Well before the Post-Void Radio Theater ever made its radio debut, Rob and the other members collaborated on many pages of humorous material. Peter elaborates:
One more memory: Visiting Rob opening his Late-Nite Magic Show on KFAI, he was playing HPSCHD, the John Cage, et. al., LP of really avant-garde and harsh sounds. I said, “Are you sure you want to start with that?” He smiled, and said, “I’m just getting rid of the listeners who aren’t serious. I’m clearing the field.” He had such a fascinating style in the studio, he could be so subtle. He could whip things up and just watching him do a show on his own I would watch in awe the way he could almost be a one-man circus.
Yes, Rob and I did some radio together. The most memorable was a Saturday overnight stint. Rob had been DJing at a wedding and was in a three-piece suit, a rare sartorial choice in the Walker Church belfry, especially in high summer. At one point, we had an actual bat in the actual belfry. Rob took off his vest and caught the bat in the vest, and we proceeded to interview the bat on the air. I think that’s one of my favorite-ever KFAI stories.
He wanted to move to Olympia, and I was certainly open to it if he were self-sustaining, but I wasn’t sure he could be and was leery of a difficult living situation. KAOS here in Olympia was one of the stations that ran the LCS season you guys put together in the late ’80s or so. I had an idea it would be fun to get a show there — it wouldn’t be hard, though it would probably start as weird night hours and might stay there — and do it with him and at least one other radio-theater type of talent I know in the area. Probably a pipe dream, but a nice one, though alas now it will never happen. He had more talent than I suspect the world will ever know—as a DJ, and as a theater maven at multiple levels, from handling light and sound for stage productions to performing and producing radio theater.
Peter: Rob really loved the movie, “Stay.” I had been interviewed along with others about my NDE for inclusion as a special feature. Rob saw me “Petey-Pie” I think he called me and told me it was his favorite movie. I hope that my interview helped him on his journey from this popsicle stand called Earth.
A thoughtful essay on Rob Ordahl, death and Ingmar Bergman’s Seventh Seal by the Post-Void’s Jeff Pike can be read at https://pkcantexplain.blogspot.com/2016/08/the-seventh-seal-1957.html
From Little City in Space, listen to an imaginative sound skit featuring Rob with Stu Mathews called Little Guy and his Robot Driver: Train Your Robot
Above, 2 images created by robO
More early Post-Void Radio Theater scripts (Rob with Peter, Stu, Jeff)…
Posted in Airchecks
Tags: blanche fubar, Cinemalobe, Damon Mathews, Foolish Mortals, Infinity Art Unit, Ingmar Bergman, Jeff Pike, John Cage, KAOS, KFAI, Lane Ellwanger, Late Nite Magic, Leslie Eaton, Little City In Space, Mark Maistrovich, NASA, Peter Stenshoel, Post Void Radio Theater, Random Access, Research Inc., Rob Ordahl, Robo, Screen Test Study Music, Stu Mathews, The Seventh Seal, Weird Energy, Wilbur Drive Effect
Years before Spike Jones and his City Slickers combined funny music with rude noises and zany, choreographed shows, Freddie Fisher (b. 1904 Lourdes, Iowa) showcased his own brand of Dixieland jazz & hayseed havoc in the mid-1930s. Fisher was expanding upon the sound of then-successful corn-fed cut-ups, The Hoosier Hot Shots. Fisher’s “Schnickelfritz” band antics included punctuating a musical note with the opening outhouse door on stage that revealed a bare-assed occupant; mimicking a locomotive to the tune of “The Wreck of the Old ’97” and peppering their lyrics with double-entendre.
Fisher’s Schnickelfritzers initially gained a devoted following playing at the Sugar Loaf Tavern in Winona, Minnesota, then moved to bigger venues in St. Paul-Minneapolis. The band impressed visiting entertainer Rudy Vallee who brought them to Hollywood. Freddie recorded dozens of sides for Decca Records and opened his own nightclub in L.A. Later he made Aspen, Colorado his home and continued to play until his death in 1967.
In honor of Freddie Fisher’s 100th birthday, Jerry with Dave Michael, drummer of the Southside Aces paid tribute on KFAI radio’s Musical Transportation Spree with a two-hour special. Listen: https://archive.org/details/Schnickelfest