New for 2016! Recent cases with frequent UFO Update contributor Bill McNeff from the Minnesota Mutual UFO Network back again to report findings to Jerry Modjeski.
Ambient sounds by La Sonorite Jaune. Art by Al Feldstein.
From the dusty orange crate of tapes comes this 45 minute aircheck excerpt of the second show of The Musical Transportation Spree (KFAI, Minneapolis-St. Paul, 1991-2006). Independent cassette culture spotlight during the Now That’s Interesting portion features Plastic Eye Miracle, a dream from The Rudy Schwartz Project (from Don Campau‘s Dreamscape compilation), Rev. Billy C. Wirtz (ad), with an extended music set of The Tesla Ensemble from Michigan. Hosts Chris Waterbury, Bernard Olson with Jerry; show intro by Patti Walsh. Listen: https://archive.org/details/MTS_07211991
Now That’s Interesting, radio show within a show on the Musical Transportation Spree, spotlight independent, original music & sounds from creative talents around the globe. In honor of MTS 25th Anniversary (broadcasts began July 20, 1991 on KFAI, Minneapolis-St.Paul) we’ve compiled a YouTube Now That’s Interesting video playlist with many favorite NTI recording artists represented, from Algebra Suicide to New X Art Ensemble! https://www.youtube.com/watch?v=tIRjHfdcBgw&index=1&list=PLE7eBVQqTx2aodAeYleb_b0UQL0T4mgak
Here are highlights from the imaginative ZXQ Universe radio show, spun around the theme of “hair.” We’ve transplanted “hair” from ZXQ shows #2 and #3 into a trim, half-hour head piece with commercials for Floyd’s Tonic; Grace Jones Under Pressure; Hairy Palm Itchell; Digital Ernie’s Techno-Hut; TV Guise; Professor Noodle; wiggy songs include Big Hair (Nick Lowe), While Growing My Hair (Egg), Hair Pie (Captain Beefheart). Also an excerpt from The Mooney Honeycutt Show with Jerry Modjeski. Guest engineering by Greg (Technological Retreat) Carr. ZXQ Universe was produced by Mark Masyga, Brian Anderson & Chuck Isle.
Originally aired January 10 & 17, 1990 on KFAI (Minneapolis-St. Paul). Listen: https://archive.org/details/TheHairShow
In honor of the 60th anniversary of science-fiction movie classic Forbidden Planet, here’s Jerry’s interview with Bebe Barron, co-composer of the amazing electronic soundtrack. She and husband Louis Barron (1920-1989) previously worked with John Cage, Edgard Varese. Listen: https://archive.org/details/bebebarroninterview
Special thanks to the late Charles Brin for making possible this interview aired on The Musical Transportation Spree‘s show-within-a-show, the Spinner Sanctum “Electronaganza” in 2000; featuring bonus interview material not part of the original broadcast. Bebe Barron passed away in 2008. Thanks also to Julian West, Chris Waterbury, Incredibly Strange Music Vol. 2 (book).
Posted in Airchecks
Tags: anais nin, archive.org, Bebe Barron, Charles Brin, Chris Waterbury, cybernetics, David Tudor, Dory Schary, Edgard Varese, electronic music, Forbidden Planet, Harry Partch, Incredibly Strange Music, John Cage, Julian West, KFAI, Louis Barron, MGM, movie soundtrack, Norbert Weiner, sci-fi, science fiction, Spinner Sanctum, The Musical Transportation Spree
One of the most creative teams to independently release original music was Ohio’s Plastic Eye Miracle. PEM’s Michael Gonzales and Doug Wofsey prolifically recorded numerous cassette tapes for sale and distribution. Jerry & Chris Waterbury, assisted by Greg Mathieson and Bernard Olson interviewed Plastic Eye Miracle for KFAI radio’s Musical Transportation Spree‘s show-within-a-show Now That’s Interesting in 1992. Listen: https://archive.org/details/PlasticEyeMiracleInterview
Turn back the crock exactly thirty years to KFAI-FM’s digest of silly satire, The Mechanical Spider Clinic, featuring holiday-themed advertising, Consumer Survival Biscuit, Lazlo Morbid, TV Guise, and a satire about the over-commercialization of Christmas (inspired by Jerry’s idol, the late Stan Freberg’s Green Chri$tma$).
Bonus: The Elvis After-Xmas, After-Life Sale at Chez Bob’s Detail Recount Store, also Consumer Survival Biscuit and TV Guise tributes to the King from January 3, 1986. Bat Lenny and The Toy Lovers team up for a sound composition Gangbusters Christmas.
Featuring the talents of Mark Masyga, Chuck Isle, Rob Shapiro, Diana Swan, Bob Rynkiewicz, Leigh Bowser, Andy Schultz. MSC Theme by Bat Lenny. Listen: https://archive.org/details/mechanicalspiderclinicchristmas
Thanks to Mark Masyga, Wayne Modjeski & Chris Waterbury for assistance on this post.
Chuck Isle, Mark Masyga & Brian Anderson (pictured) hosted ZXQ Universe, a KFAI show that substituted for Little City in Space (in temporary hiatus for several months). On radio in 1990 there was nothing like ZXQ: these excerpts from their maiden voyage include hilarious monologues by a parade of original characters (Alabama Neptune, Professor Noodle, “Wildman” Slim, Rev. Mild Astonishment), and hypnagogic sound compositions with guest-engineer Greg Carr (Technological Retreat). Special features: TV Guise sponsored by Mrs. Leatherneck Syrup / News of the Possibly True / Beyond the Unknown / Hillbillies fer Buddha / Commercials for The Kitchen Mohican; Chez Bob’s Detail Recount Store / The Church of the SubGenius Minute of Slack / ZXQ Studios: The Big Dive / records by Buddy Emmons (1937-2015), Johnny Gunn, Les Brown & Vic Schoen. Brian created original music fanfares & ambiance for ZXQ. Listen to ZXQ #1: https://archive.org/details/ZXQ010390
Abridged ZXQ Universe #3 with Chuck intro, Jerry Modjeski guest-engineer, co-controlling horizontal & vertigo with Brian & Mark for TV Guise. Other vivisected highlights: News of the Possibly True / Level 99 (commercial) / Professor Noodle / special guest appearance by Peter (Little City in Space) Stenshoel /Gil Goose commentary (“Video Games”) / SubGenius Minute of Slack. Listen: https://archive.org/details/ZXQ011790
Thanks to Stu Mathews, Chuck Isle & Peter Stenshoel for assistance on this post. Hear more ZXQ Universe at Brian Anderson’s website.
Posted in Airchecks
Tags: Alabama Neptune, aliens, archive.org, Bob Dobbs, Brian Anderson, Buddy Emmons, Chuck Isle, Church of the SubGenius, Greg Carr, Jerry Modjeski, Johnny Gunn, KFAI, Les Brown, Little City In Space, Mark Masyga, Peter Stenshoel, Rev. Ivan Stang, Stu Mathews, Technological Retreat, TV Guise, UFO, UFO cover up, Vic Schoen, ZXQ Universe
Wacky word jazz describing idiot box imagery with the Mechanical Spider Clinic‘s four vidiots, Peter Stenshoel, Chuck Isle, Mark Masyga & Jerry.
These half-wits matched wits on the air February 27, 1987 (KFAI, Minneapolis-St.Paul) and met again at a house party a year later February 13, 1988 as the tape recorder rolled capturing the event (photos) before a gathering of their friends (pardon some of the overripe sound levels). Listen: https://archive.org/details/battle_of_the_tv_guise
Creative inspiration for some members of LCS’ Post-Void Radio Theater originated listening to record albums by The Firesign Theatre and Stan Freberg. The recent passing of FT’s Phil Austin, and the death of Stan Freberg (wrote & starred in network radio’s last great comedy series–replacing Jack Benny who left radio for TV) prompted discussion between Post-Void participants investigating the why of radio as means of expressing themselves. What were the listening influences of Peter Stenshoel, Damon Mathews, Jeff Pike, Stu Mathews & Jerry?
Peter: Old time radio was already in my blood. Along with Freberg. First album heard was Stan Freberg Presents the United States of America, the year it was released! (1961) And Bob & Ray.
Damon: Bob & Ray forever! Bob & Ray were, still are, and probably always will be my shining stars. I took an interest in old time radio so far back you had to get episodes on LP records. But cassettes arrived about two minutes later & I was off & running after that.
Jerry: No Stan Freberg…no Bob & Ray…no Jerry! They blew my mind discovering them. (We sadly note the recent passing of Bob Elliot, of Bob & Ray)
Jerry: My buddy Mark Masyga and I started taping OTR on cassette around 1972 when re-runs were programmed on commercial radio: Lacrosse, Wisconsin AM radio ritually re-broadcast The Shadow, Green Hornet, Lone Ranger, Fibber McGee & Molly. Then-current CBS Radio Mystery Theater was text book “here’s how it’s done” and I kept a log of each episode title for quite a while. Now you can listen to them at archive.org.
Peter: Miriam and I discovered CBS Radio Mystery Theater on Far East Network the 3 months living in Tokyo. A really fun ritual!
Stu: I think I was just seven, maybe eight years old (’61-‘62) when my grandmother Jewell Vowel thrilled me by sending me a “miniature” transistor radio for my birthday. I found out that I could put the radio under my pillow, and then, laying my head with my ear directly over the speaker, I could keep it low enough. That’s when I had my most fascinating listening sessions…listening to places like Philadelphia, New York, and Chicago. It’s where I first heard the Motown sound and the girl groups that were popular, including the first time I heard The Supremes. To me, it didn’t seem like these sounds were coming from a specific place. The experience seemed so mysterious to me that I felt these songs and the announcers were just “out there,” like voices from outer space (imagine that).
Jerry: Also KAAY-Little Rock. Freberg’s 1957 network radio show re-played on WCCO-FM, I strung a copper wire across the kitchen ceiling & on good nights in Winona listened intently.
Damon: Stringing wire in the kitchen to get WCCO is such beautiful music to my ears! I spent a good chunk of childhood fascinated with both the content and technology of radio.
Peter: I got a crystal radio set for my birthday when I was ten. That was just awesome. Later, the famous Jim Gilbert was my then not-famous science teacher who started a ham radio club with a few of us radio heads. Again, superb fun and thrills. My Morse code got good enough so I had my own “rig” in my room and I was WNOBJX.
Damon: That’s great that you got to be a ham in the days when it was really unique to connect to other countries. I had a Heathkit receiver that I built when I was about 9.
Peter: I also “built” a Heathkit receiver (my Dad did most of the soldering!) which was part of my rig. Bought a used transmitter…so cool! My Heathkit receiver allowed me to hear shortwave radio. Voice of America played Frank Zappa’s Concerto for John Luc Ponty.
Jerry: Looking for the elusive & interesting radio signals in the old days…like spelunking in a dark cave! The heart would race when happening upon something interesting!
Stu: Now that Peter Bergman & Phil Austin have passed away, I feel compelled to emphasize that, although I consider the Post-Void Radio Theater to be our own, there’s no use in denying how brave this foursome was to commit to their muses and boldly go where no comedic group had gone before, and not give a damn whether people approved or not. For me, they were The Beatles of a new kind of unfettered creativity that could be called as much Performance Art as it is Comedy. It is so vivid to me, my memory of the evening that Peter & David Stenshoel invited me to listen to a double-vinyl album they had acquired, called Dear Friends. We lounged around in their parents’ bedroom listening to four full album sides of four guys just doing whatever the hell they wanted to do, on the radio! I would never have been inspired to actually try to be funny – live – on the radio if I hadn’t heard Dear Friends, the only Firesign vinyl album that is just them goofing around on the airwaves. It was magic. It was more than magic. It changed my whole life paradigm. And I haven’t been the same since.
Jerry: I was living in Waverly, Iowa working at a radio station, off-hours at home could pick up Rochester, Minnesota late night FM playing whole sides of rock music albums without interruption, they played FT’s Nick Danger from their second LP.
Peter: I was speaking with a fellow at NPR West & he pointed out FT pre-dated Monty Python. FT credited The Goon Show as inspirations. Maybe 1966 first heard The Goon Show and so I was well-primed when my brother David woke me up to hear the very surrealistic second side of FT’s Waiting for the Electrician. You didn’t have to be literate to enjoy it although you could understand more references if you were. FT’s David Ossman really admired the European avant-garde of the ’20s. And the ’50s. Ionesco, Beckett.
Jeff: Being absurd on the radio is so much more effective than almost any other medium. Radio triggers the imagination so easily. They pitched it at this low-brow level with TV, mystery novel references.
Peter: We could all instantly understand something of what they were doing, and yet there was always a mystery to it too. That absurdism translates beautifully in that medium.
Jeff: Funny, without being heavy-handed, that’s what Firesign Theatre really did. Obviously we were influenced by them. They were so unique, and they mapped out these huge terrains. I’ve gone back and bought all their albums.
Stu: If The Firesign Theatre had not happened, The Post-Void Radio Theater–and Little City in Space Show–would not have happened.
Posted in Airchecks
Tags: archive.org, Beckett, Beeker Theater, Bob & Ray, CBS Radio Mystery Theater, Damon Mathews, David Ossman, David Stenshoel, Dear Friends, Fibber McGee & Molly, Firesign Theatre, Frank Zappa, Ionesco, Jack Benny, Jeff Pike, Jim Gilbert, john luc ponty, KAAY, Little City In Space, Lone Ranger, Mark Masyga, Monty Python, Motown, Nick Danger, Peter Bergman, Peter Stenshoel, Phil Austin, Phil Proctor, Post Void Radio Theater, Stan Freberg, Stu Mathews, The Beatles, The Goon Show, The Shadow, The Supremes, Voice of America, Waiting for the Electrician, WCCO